Reflex

Whole Lotta Shakin’ | Canon PowerShot G5 | 36mm. | 1/15 | F5 | ISO 100

Reflex is about reflections in ‘glossy surfaces’  like water, glass, lacquer, etc. What fascinates me, is the indirect contact with reality; the unpredictable distortions; and the strange, multiple layerings when you can look in, or through the reflecting surface(s).

Reflex gaat over reflecties in glanzende oppervlaktes zoals water, glas of lak. Ik denk dat het indirecte contact met de uiterlijke werkelijkheid; de onvoorspelbare vervorming daarvan; en de gelaagdheid me fascineert.

The Ladies in the Windows prt5 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 70mm. | 1/60 | F8 | ISO 280

Amsterdam Arena | Canon PowerShot G5 | 60mm. | 1/250 | F5.6 | ISO 100

Red Memory | Konica Minolta Dynax 7D | KM 18-70mm. | 75mm. | 1/300 | F9 | ISO 100

Underneath the Surface | Canon PowerShot G5 | Exif gone

On Coppergreen | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 70mm. | 1/400 | F5.6 | ISO 200

Shallow and Cloudy | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 24mm. | 1/160 | F7.1 | ISO 280

Duplicated | Nikon D700 | Nikkor 70-300mm f/4.5-5.6G VR | 230mm. | 1/125 | F8 | ISO 220

Segmented | Nikon D700 | Nikkor 70-300mm f/4.5-5.6G VR | 125mm. | 1/200 | F6.3 | ISO 200

The Tower on the Roof | Panasonic LX3 | 48mm. | 1/160 | F2.8 | ISO 200

The Ladies in the Windows prt9 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 38mm. | 1/60 | F4 | ISO 320

The Ladies in the Windows prt2 | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/125 | F11 | ISO 320

Struck by Yellow Lightning | Nikon D700 | Nikkor 70-300mm f/4.5-5.6G VR | 260mm. | 1/200 | F5.6 | ISO 200

Red Car | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/100 | F2 | ISO 720

Through a Bridge | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/160 | F2 | ISO 200