Westland details prt5

Westland details prt5 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 58mm. | 1/1000 | F7.1 | ISO 320

Abstract is voor mij een zoektocht naar schoonheid in de wereld, zonder dat er echt herkenbare dingen in beeld worden gebracht. De foto moet een autonoom beeld zijn, dat volledig voor zichzelf spreekt. Ik ga nooit op pad met ‘abstracten schieten’ als doel. Ze ontstaan meestal als ik op een onverwacht moment door ‘iets’ gegrepen wordt; de boel om me heen even loslaat en een tijdje gefocused het onverwachte probeer te fotograferen. Abstract laat de meest extreme Photoshopaanpassingen toe. Dat komt doordat de zeggingskracht los staat van de zichtbare werkelijkheid; en het meer iets van mij is.

Abstract is a search for beauty in the world, without capturing recognizable things from the real world. The photo has to be an autonomous image, that speaks fully for itself. I never go out with ‘shooting abstracts’ as a goal. They happen to me. They grab me; I get focussed; and then I grab them… Abstracts can stand more Photoshopping than images that are closer to the real, visible world because they have there own message; or maybe my message.

The first shot is from the post: Westland details

Blue metal and white paint

Blue metal and white paint | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/125 | F9 | ISO 250

Decollage

Decollage | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 62mm. | 1/1000 | F6.3 | ISO 400

From a Weir

From a Weir | Canon PowerShot G5 | 32mm. |1/15 | F8 | ISO 100

Layered

Layered | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 38mm. | 1/60 | F5.6 | ISO 320

With the Flow

With the Flow | Konica Minolta Dynax 7D | KM 18-70mm. | 36mm. | 1/160 | F8 | ISO 200

Projected by the Sun prt3

Projected by the Sun prt3 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 24mm. | 1/500 | F9 | ISO 200

The shot above is from the post: Projected by the Sun

The Revelation

The Revelation | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/200 | F6.3 | ISO 200

Spannend

Spannend | Nikon D700 | Nikkor 70-300mm f/4.5-5.6G VR | 195mm. | 1/1250 | F6.3 | ISO 200

With shiny White

With shiny White | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/160 | F8 | ISO 500

Behind

Behind | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/200 | F3.2 | ISO 2200

Color on the Glass

Color on the Glass | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/125 | F8 | ISO 640

Remains of Graffiti prt2

Remains of Graffiti prt2 | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/100 | F8 | ISO 320

Seeing too Little of too Much

Seeing too Little of too Much | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/100 | F8 | ISO 400

Green Pressure

Green Pressure | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/100 | F6.3 | ISO 220

Got the Bubble Blues

Got the Bubble Blues | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/100 | F6.3 | ISO 800

39 comments
    • Harrie said:

      Dank je; en leuk dat je het leest.

  1. Marso said:

    Aha! I found another of your collections! Very enjoyable! I must say I really appreciate your way of organizing your blog—especially your “Portfolio” link with its sorted collections.

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