White Water

White Water | SONY RX1 | Zeiss Sonar 35mm. | 1/2000 | F2.8 | ISO 100

Water always fascinates me. It moves; always finds it’s own way; can be hard; can be soft; can be subtle; can be overwhelming; it’s transparent and reflective at the same time; and it plays beautiful, sparkling games with light. That’s it; shut up and shoot.

Water fascineert me enorm. Water beweegt, vindt altijd een eigen weg, kan hard zijn, kan zacht zijn, kan subtiel zijn, kan overweldigend zijn, is doorzichtig en spiegelend tegelijk en speelt sprankelend prachtig met licht. Veel meer kan ik er niet over zeggen. Behalve dan misschien dat ik bij Water het meest een toeschouwer met open mond ben, die de aangereikte schoonheid zo goed mogelijk mag vastleggen.

Dark Water

Dark Water | Nikon D700 | Nikkor 70-300mm f/4.5-5.6G VR |300mm. | 1/400 | F5.6 | ISO 200

Green White Speed

Green White Speed | Nikon D700 | Nikkor 70-300mm f/4.5-5.6G VR |240mm. | 1/13 | F40 | ISO 400

Dark Blue in the Shadow

Dark Blue in the Shadow | Nikon D700 | Nikkor 70-300mm f/4.5-5.6G VR | 140mm. | 1/160 | F5.6 | ISO 720

Twice as long

Twice as long | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 40mm. | 1/160 | F5.6 | ISO 200

The Consequences of an Angle Steel

The Consequences of an Angle Steel | Canon Powershot G5 | 100mm. | 1/40 | F5.6 | ISO 100

In Rio Cajigar Canyon prt13

In Rio Cajigar Canyon prt13 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 32mm. | 1/6400 | F4 | ISO 800

In Rio Cajigar Canyon prt7

In Rio Cajigar Canyon prt7 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 48mm. | 1/800 | F4 | ISO 400

From a Weir prt5

From a Weir prt5 | Canon Powershot G5 | 120mm. | 1/800 | F3 | ISO 100

From a Weir prt4

From a Weir prt4 | Canon Powershot G5 | 35mm. | 1/30 | F5.6 | ISO 100

Water prt21

Water prt21 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 24mm. | 1/4000 | F3.5 | ISO 200

Water prt17

Water prt17 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 66mm. | 1/40 | F16 | ISO 100

Water prt15

Water prt15 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 70mm. | 1/2500 | F3.5 | ISO 200

Water prt8

Water prt8 | Nikon D700 | Nikkor 24-70mm. f/2.8G ED | 52mm. | 1/1250 | F5.6 | ISO 200

Water prt6

Water prt6 | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/500 | F11 | ISO 200

Water prt5

Water prt5 | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/3200 | F4 | ISO 200

Water prt4

Water prt4 | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/1000 | F11 | ISO 200

Water prt3

Water prt3 | Nikon D700 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/4000 | F4 | ISO 200

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6 comments
  1. Harrie, I’ve really enjoyed looking through these images >>> haha! not sure if I’ve found myself (!!!!) but I must say they really do showcase your photographic eye and talents – very impressive! Adrian šŸ™‚

    • Thanks a lot, Adrian, for going through all of this and the compliments in your replies. šŸ™‚ For me the challenge was to find out if it was possible to bring some order in a complete chaos… And it did, and it made me more conscious of what I was doing. It was also fun to write a little, essential text about the different categories, to see if they made any sense. To be honest, I sometimes really don’t know if a shot is an abstract or a minimal, but it doesn’t matter because it wasn’t meant to be all that strict in the first place. And it did not change my way of taking photo’s.. as said, I still go out as empty-headed as possible, to meet some interesting, fascinating things and “blast away at them”, If I may quote you.. šŸ™‚

      Ps, I was wondering if those little texts made any sense to you?

      • Oh yes, they certainly make sense, and its great to find that we share many opinions/views so much, its very good to be in touch! Blast away at them? Haha! yes you can ALWAYS quote me!!! But that’s it, going out empty headed and just looking at / soaking up our surroundings. A šŸ™‚

          • Blasting right now, my friend ….. šŸ™‚ šŸ™‚ šŸ™‚

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