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Making some Noise!

Making some Noise! | SONY A7 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/40 | F? | ISO 8000

Second Blow-Up; attempting to integrate the color-noise instead of trying to avoid it, as I’m used to do. It’s probably done a thousand times before; but it’s new for me and a lot of fun to look around the corner. (It is a huge crop from a shot taken from a train while passing a station; with reflections in the window).

(looks best full screen; click once; and once more on the image and then F11)

She traveled on

She traveled on | SONY A7 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/40 | F? | ISO 10000

After yesterdays post I was sliding around in Lightroom just for the fun. The 24 megapix of the SONY A7 sensor provoked to make extremer crops than I was used to with my Nikon D700. And then I went all the way and ended up in a wonderful grained world with beautiful colors. Digital Seurat. One of my all time favorite movies; ‘Blow up’, by Michelangelo Antonioni popped-up; and that led to todays post.

(looks best full screen; click once; and once more on the image and then F11)

Aproaching Almere Central

Aproaching Almere Central | SONY A7 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/125 | F? | ISO 100

Driving with the Wind

Driving with the Wind | SONY A7 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/200 | F? | ISO 100

Along the Tracks

Along the Tracks | SONY A7 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/640 | F? | ISO 800

Anti-Aircraft

Anti-Aircraft | SONY A7 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/200 | F? | ISO 100

Two Bridges

Two Bridges | SONY A7 | Zeiss Makro-Planar 50mm. f/2 ZF.2 | 1/125 | F? | ISO 100

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